The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". Posters without certifications are available in the following sizes and materials: 12' x 12' (30cm x 30cm) printed on photo gloss paper and shipped rolled for 59.95 18' x 18' (46cm x 46cm) printed on photo gloss paper and shipped rolled for 69.95 18' x 18' (46cm x 46cm) printed on stretched canvas and shipped flat for 100. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Interestingly, Roney makes room for some straight-ahead but no less adventurous stuff here covering trumpeter Kenny Dorham's jaunty "Poetic" as well as ending with pianist Bud Powell's gorgeous ballad "I'll Keep Loving You." Roney's own compositions do not disappoint either with the hard funk of "Stargaze" and the elegiac "Baby's Breath" displaying the trumpeter's deft creative vision.Necessary cookies are absolutely essential for the website to function properly. Similarly engaging is his melancholy cover of the Temptations classic "Just My Imagination," which draws out the deeper, more sanguine harmonics of the song even while it perfectly embodies the innocent romance of the original. An expansive and creepily funky piece off Shorter's underrated 1985 album of the same name, Roney turns the song into a moody mix of Miles in the Sky-esque post-bop, '80s hip-hop, and new age atmospherics. However, the album was originally titled Let’s Get Ready To Rumble and was recorded on No Limit Records. It was his first record since leaving No Limit Records, and sold almost 350,000 units in its first week. This time around that artist is Wayne Shorter, whose "Atlantis" kicks off the album. Mystikal did release Let’s Get Ready on Jive Records back in 2000. (That will become relevant in other posts coming to Cover Me later this week.) Hugo and Williams formed the production team The Neptunes in 1994 and are still working together today. The two were even childhood friends with Timbaland. Like that album, Mystikal is in many ways a standard jazz album with some original compositions, a cover of a standard, and a lesser known piece by a well-known artist. His longest-running collaboration is with Chad Hugo, whom he met in middle school. Featuring his longtime working band including pianist Geri Allen, brother saxophonist Antoine Roney, keyboardist Adam Holzman, bassist Matt Garrison, drummer Eric Allen, percussionist Bobby Thomas, Jr., and turntablist Val Jeanty, Roney has largely crafted a sister album to 2004's similarly minded Prototype. Which is to say that while Roney has deep affection for the sounds of '60s jazz and '70s funk and fusion, he is a resolutely forward-thinking musician who borrows from a variety of sources and time periods even when the overall sound is funky. While Roney has always owed a large debt to the iconic jazz innovator - he even played with Davis on a concert released as Miles & Quincy Live at Montreux - Mystikal is a modern album made up of vintage parts. Upon first listen to trumpeter Wallace Roney's Mystikal one might be inclined to marginalize it as yet another attempt to re-create '70s-era Miles Davis.
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